"Roadrunner" is a song written by Jonathan Richman and recorded in various versions by Richman and his band, in most cases credited as The Modern Lovers.
Critic Greil Marcus described it as "the most obvious song in the world, and the strangest".[1] Rolling Stone ranked it #269 on their list of the 500 Greatest Songs of All Time.
Contents[]
- 2 Recordings by Jonathan Richman and the Modern Lovers
- 3 Cover versions
- 4 Uses in popular culture
- 5 Accolades
- 6 References
- 7 Sources
- 8 External links
Origins of the song[edit][]
As a teenager Richman saw The Velvet Underground perform many times, and the format of “Roadrunner” is derived directly from the Velvets’ song “Sister Ray”. “Roadrunner” mainly uses two chords (D and A, and only two brief uses of E) rather than “Sister Ray”’s three (which are G, F, and C), but they share the same persistent throbbing rhythm, and lyrics which in performance were largely improvised around a central theme.
However, in contrast to Lou Reed’s morally detached saga of debauchery and decay, Richman’s lyrics are passionate and candid, dealing with the freedom of driving alone and the beauty of the modern suburban environment, specifically the suburbs of Boston, Massachusetts. The introductory countoff, "one - two - three - four - five - six!", and lyrics about "going faster miles an hour" with the "radio on" have endeared the song to many critics and listeners since it was first released.
Richman wrote the song by 1970, when he began performing it in public, aged 19. Former bandmate John Felice recalled that as teenagers he and Richman "used to get in the car and just drive up and down Route 128 and the Turnpike. We'd come up over a hill and he’d see the radio towers, the beacons flashing, and he would get almost teary-eyed. He'd see all this beauty in things where other people just wouldn’t see it."[2]
Recordings by Jonathan Richman and the Modern Lovers[edit][]
Richman’s band The Modern Lovers first recorded “Roadrunner” with producer John Cale (previously of the Velvet Underground) in 1972. This version was first released as single and in 1976 on The Modern Lovers' long-delayed but highly acclaimed debut album (originally Home of the Hits HH019).
Later in 1972, the group recorded two more versions with Kim Fowley, which were released in 1981 on the album, The Original Modern Lovers (Bomp BLP 4021). A live version from 1973 was also later officially released on the album, Live At Longbranch Saloon.
The most commercially successful version of the song, credited to Richman as a solo artist, was recorded for Beserkley Records in late 1974, produced by label boss Matthew King Kaufman, featured Jonathan backed by The Greg Kihn Band and released at the time on a single (Beserkley B-34701) with a B-side by the band Earth Quake. Kaufman stated: "To record "Roadrunner" took the 3 minutes 35 seconds for the performance, about another 30 minutes to dump the background vocals on, and another 90 minutes to mix it".[3] Actually Kaufman was mistaken - this version is listed on the UK release of the single as being 4:40.
This version was reissued in 1975 on the album Beserkley Chartbusters Vol. 1(Beserkley JBZ-0044). In the UK, where Richman had received substantial and very positive publicity in the music press, it was released in 1977 as a single (Beserkley BZZ 1), known as “Roadrunner (Once)” and credited to Jonathan Richman, with the Cale-produced “Roadrunner (Twice)” on the B-side, credited to The Modern Lovers, and lasting approximately 4:06. This single reached number 11 in the UK singles chart in August 1977. Also in 1977, a live version titled “Roadrunner (Thrice)” lasting 8:24 was released as the B-side of the UK single "The Morning Of Our Lives" (Beserkley BZZ 7).
The differences among all these versions are in the lyrics, the duration, the instrumentation (electric garage rock vs. acoustic rock) and the way Jonathan sings them.
Cover versions[edit][]
A version of "Roadrunner" was recorded by the Sex Pistols as a rough demo in 1976, seemingly in a spontaneous transition from Chuck Berry's legendary "Johnny B. Goode", which is in the same key and a similartempo. This recording was then overdubbed upon in 1978, and released in 1979 on The Great Rock 'n' Roll Swindle album. Pistols' vocalist Johnny Rotten has said that although he "hate(s) all music", "Roadrunner" is his favorite song. This did not mean, however, that he took the time to learn the lyrics before recording his vocals.[4]
"Roadrunner" was also recorded by Joan Jett on her 1986 album Good Music, and again for her 1990 album of covers, The Hit List, while Phish opened their concert with "Roadrunner" in Mansfield, MA on 09/11/2000.[5]
M.I.A. borrows lyrics from "Roadrunner" in the opening verses of her song "Bamboo Banga"
Uses in popular culture[edit][]
"Roadrunner" is featured on the Motion Picture Soundtrack to Mad Magazine's 1980 movie Up the Academy, in the movie School of Rock, in the 2012 movie "Not Fade Away," on the radio in the movie PCU, and an episode in Season Two of the HBO Series The Wire.
Stephen King quoted a verse of the song to introduce one of the chapters of his novel Christine. Every chapter of the novel begins with a quotation of lyrics from rock songs about cars.
Accolades[edit][]
In addition to being ranked #269 on 500 Greatest Songs of All Time, Guardian journalist Laura Barton has described "Roadrunner" as "one of the most magical songs in existence". In July 2007, Barton wrote an essay published in the newspaper about her attempt to visit all the places mentioned in Richman's recorded versions of the song, including the Stop & Shop at Natick, Massachusetts, the Howard Johnson's restaurant, thePrudential Tower, Quincy, Cohasset, Deer Island, Route 128, and Interstate 90.[6]
On February 13, 2013, then State Representative Marty Walsh introduced a bill to have '‘Roadrunner’' named official rock song of Massachusetts.[7] Richman however came out against this saying, “I don’t think the song is good enough to be a Massachusetts song of any kind.”[8]
Comedian and Massachusetts native John Hodgman came out in support of Walsh's bill, saying the song was, “woven as deeply into the cultural landscape of Massachusetts as the Turnpike itself. It is the pulsing sound of the night and the future. It connects the midnight ride of Paul Revere with the dream of every Massachusetts teenager who has just gotten their license and is discovering the Freedom Trail that is Route 128 after the last movie lets out.”